Drag each tile to the correct box.
Match each excerpt to the rhetorical device it uses.
satire
rhetorical questions
repetition
We choose to go to the moon. We choose to go to the moon in this decade and do the other
things, not because they are easy, but because they are hard, because that goal will
serve to organize and measure the best of our energies and skills, because that challenge is
one that we are willing to accept, one we are unwilling to postpone, and one which we intend
to win, and the others, too.
(President John F. Kennedy, "The Decision to go to the Moon")
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"Cuss the doctor! What do we k'yer for him? Hain't we got all the fools in town on our side?
And ain't that a big enough majority in any town?"
(Mark Twain, Adventures of Huckleberry Finn)
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Must I argue the wrongfulness of slavery? Is that a question for republicans? Is it to be settled
by the rules of logic and argumentation, as a matter beset with great difficulty, involving a
doubtful application of the principle of justice, hard to understand?
(Frederick Douglass, "What to the Slave Is the Fourth of July?")
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What is the best definition for the underlined word based on the following senates many websites with him to lower users in by promising them free access to pirated music movies and television shows however this can lead to computer viruses are sometimes a large

Abig hazard on road paragrph writing

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.