Analyze the three-part lists that punctuate the narrative of “White Noise” by Don Delillo. Where do
they come from? Are they Jack's commentary, or do they emerge from
the "noise" around him? Could any of these lists be moved around, or
does each seem to belong where it appears? Do any of them comment
on the events that surround them? What does the presence of these
solists of brand names and places imply about the role of advertising and
television in the postmodern world?