Read the following excerpt from a portrait of the artist as a young man
james joyce:
6
the wide playgrounds were swarming with boys. all were
shouting and the prefects urged them on with strong cries.
the evening air was pale and chilly and after every charge
and thud of the footballers the greasy leather orb flew like
a heavy bird through the grey light. he kept on the fringe
his line, out of sight of his prefect, out of the reach of the
rude feet, feigning to run now and then. he felt his body
small and weak amid the throng of the players and his
eyes were weak and watery. rody kickham was not like
that: he would be captain of the third line all the fellows
said.
what aspect of this excerpt most clearly marks it as a work of modernism?
o
a. there is a sense that, no matter how hard people try, they can't get
ahead.
o
b. it centers on a main character who does not conform to the ideal.
o
c. it conveys the idea that our value is based on our
accomplishments.
o
d. there is a detailed contrast between the main character and rody.
ween the main character and rody:

which of the following was specifically permitted by the emancipation proclamation?

free african americans were allowed to fight for the confederacy.

free african americans were allowed to enlist in the union army and navy.

enslaved people in border states were allowed to move to the north.

enslaved people in border states were allowed to become confederate citizens.c rgf fy4tku6y htk6u jr jyt6

the answer is c the speaker emotions

awnser: the oxford dictionary of quotations (oup 1970) has 66 pages of quotations

attributed to the writings of william shakespeare in which there are 2369 quotations,

which may reflect well over 5000 speeches, discussions, observations and comments

that are present in shakespeare’s work. it is largely from those speeches and discussions

on shakespeare’s 37 plays, as well as his, and others’ poems, that examples have been

taken here.

in this book all quotations from his poems and plays have been taken from various

editions of the arden shakespeare.

the writer is very much indebted to the rapid response provided by his son, henry

audley-charles , for cries of , guidance, advice and repairs to his ageing pc, that

henry provided at all hours. without this assistance over the last 3 years this book

could not have been written.

in addition, the writer is much for the kind by discussion and proof readings from

elizabeth macbeth and janet hulse; and for his knowledge of shakespeare’s plays and

poems in discussions with monsieur francis saillart; and especially for years of proof

reading, support and with this book from my wife brenda amy cordeiro. above

all, the debt i owe is to professor david price, vice provost research. he has acted as

the editor and the guide for the whole project. this has been far from easy with

changes repeatedly being made by the author and which continued after professor price

had provided all the editorial structure for this project.