Part a
choose one scene from your novel to rewrite as a screenplay. include the following in your screenplay using correct formatting (see example in lesson):

include a cast list at the beginning of the play.
include a description of setting.
include a description of props.
include a description of the costumes.
be sure to include scene descriptions at the beginning of the scene and format it properly (capitalization, spacing, highlight your scene descriptions in yellow.
include sound cues that are properly formatted (all caps) and highlight those in hot pink.
include dialogue in each scene.
length requirement: two pages or more.

part b
now that you have a screenplay, if you adapt every single chapter from your novel into a scene in a movie, your movie will be too long. so, as the screenwriter, you have a decision to make. which two scenes from your book are crucial and must be filmed for the movie, and which two scenes are not as important and can be left out? now, in a written memo, you have to convince the producers of your decision.

in a 4-8 sentence paragraph, you will:

write a topic sentence to present the main idea of your paragraph.
describe two scenes that are crucial to the movie and why they must be filmed.
describe two scenes that not important and explain why they can be left out.
use complete sentences.
write in third-person point of view. (view writer’s workshop, formal vs. informal language, for tips.)

my book is the hound of the baskervilles will give brainliest!

Ajourney with my father adapted from my reminiscences by sir rabindranath tagore probably in order to teach me to be careful, my father placed a little small change in my charge and required me to keep an account of it. he also entrusted me with the duty of winding his valuable gold watch for him. he overlooked the risk of damage in his desire to train me to a sense of responsibility. when we went out together for our morning walk, he would ask me to give alms to any beggars we came across. but i never could render him a proper account at the end of it. one day, my balance was larger than the account warranted. "i really must make you my cashier," observed my father. "money seems to have a way of growing in your hands! " that watch of his i wound up with such indefatigable1 zeal that it had very soon to be sent to the watchmaker's in calcutta. i am reminded of the time when, later in life, i was appointed to manage the estate and had to lay before my father, owing to his failing eyesight, a statement of accounts on the second or third of every month. i had first to read out the totals under each head, and if he had any doubts on any point, he would ask for the details. if i made any attempt to slur over or keep out of sight any item which i feared he would not like, it was sure to come out. so, these first few days of the month were very anxious ones for me. as i have said, my father had the habit of keeping everything clearly before his mind—whether figures of accounts, or ceremonial arrangements, or additions or alterations to property. he had never seen the new assembly hall built at bolpur, and yet, he was familiar with every detail of it from questioning those who came to see him after a visit to bolpur. he had an extraordinary memory, and when once he got hold of a fact, it never escaped him. my father asked me to copy the favourite verses, with their translation, from the book he liked reading every day. at home, i had been a boy of no account. here, when these important functions were entrusted to me, i felt the glory of the situation. 1. tireless 7 how does the narrator support the idea that his father keeps everything clearly before his mind? a. by giving the example of his father's response when his account did not tally with the money that he had in hand b. by mentioning that his father was interested in everything that happened around him c. by giving the example of his father knowing every detail of the new assembly hall at bolpur d. by mentioning that his father had marked his favorite verses from his favorite book