Which sentence best summarizes the entire first paragraph? a) the narrator is on his way to a private mad-house to be examined and his companion wishes that he himself did not have to take his friend there. eliminate b) the traveling companion would like to visit his good friend monsieur maillard, but is in too big a hurry, so he sends his mate, the narrator, in his place. c) the narrator asks his traveling companion if he wants to visit a mad-house and the companion agrees to escort the narrator as far as the door of the house, but no farther. d) the narrator has heard stories of horror about the maison de sante and wishes to investigate to see if they are as vile as he has been told. at the last minute, his companion backs out on going.

Which would be the most credible source for researching the effects of smoking? letter from your grandfather web page about someone’s lung cancer report prepared by a tobacco company research article in a scientific journal

Create your own example of a fallacy: locate or develop an example of each of the following kinds of false appeals. for each example, explain why you think that the appeal is not warranted. any material that is copied or pasted must be cited. provide one well-written paragraphs explaining your selection.

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.