The underlined lines are an example of a
read the excerpt from act 1, scene 3, of the tragedy of
julius caesar and the background information on the
allusion it contains.
o
excerpt:
cultural allusion.
historical allusion.
literary allusion.
religious allusion.
o
cassius. there's a bargain made.
now know you, casca, i have moved already
some certain of the noblest-minded romans
to undergo with me an enterprise
of honourable dangerous consequence.
and i do know by this, they stay for me
in pompey's porch. for now this fearful night
there is no stir or walking in the streets;
and the complexion of the element
in favour's like the work we have in hand,
most bloody, fiery, and most terrible.

to convince americans of the importance of others.

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?