Which parts of this excerpt from “the art of public speaking” by dale carnegie indicate that it is written using second-person point of view? do not be disheartened if at first you suffer from stage-fright. dan patch was more susceptible to suffering than a superannuated dray horse would be. it never hurts a fool to appear before an audience, for his capacity is not a capacity for feeling. a blow that would kill a civilized man soon heals on a savage. the higher we go in the scale of life, the greater is the capacity for suffering. for one reason or another, some master-speakers never entirely overcome stage-fright, but it will pay you to spare no pains to conquer it. daniel webster failed in his first appearance and had to take his seat without finishing his speech because he was nervous. gladstone was often troubled with self-consciousness in the beginning of an address. beecher was always perturbed before talking in public.

- "despite the fact that portia lives in belmont and has many suitors, bassanio believes that he can win her heart. bassanio plans on overcoming his financial obstacles by borrowing money from antonio to travel to belmont. he then plans on marrying portia and becoming wealthy enough to pay off his debts."

the answer is c bro ok

the answer is not b, and i don't think its a, so i choose either man's identity is found within the traditions of his ancestors   or language is a powerful tool, tell me if i was wrong or right by the way

in railroad songs, workers swung their hammers during the offbeat. work songs combined with traditional musical and lyrical forms, such as hymns and ballads, to create spirituals, the blues, and other jazz styles. this blending of old and new can be seen when comparing the lyrics to the traditional irish song "lass of roch royal" and the blues song "the deal."

as work songs and other forms of jazz developed, jazz music spread across the united states. for example, a jazz style known as dixieland went from new orleans to chicago by means of the famous trumpet player louis armstrong. the original dixieland band developed out of armstrong's influence and, in the early 1920s, moved to new york city. once jazz reached new york, especially harlem, its development