Which statement below is an accurate evaluation of how facts and opinions are used in the newspaper article and in the billboard advertisement? a. the reader can infer from the facts in the newspaper article and the opinions in the billboard advertisement that the sweet treat bakery makes people happy. b. the reader can infer from the facts in the newspaper article and in the billboard advertisement that the sweet treat bakery is a successful business. c. the reader can infer from the opinions in the newspaper article and in the billboard advertisement that the sweet treat bakery is marketing itself as a way to indulge. d. the reader can infer from the opinions in the newspaper article and in the billboard advertisement that the sweet treat bakery has something for everyone's taste.

in the secret life of walter mitty, the main character leads a dull life, or so he thinks.in all his daydreams he plays the role of some hero or a man who is unbelievably resourceful.whether a pilot, a surgeon   or even a criminal, he is better, so much better than all the rest of the characters in his delusions.he comes up with ideas nobody else could have conceived .when he comes back to reality, whatever he has to deal with seems silly, boring without any motivation to deliver.

in a sound of thunder a hunter,eckles, wants to use a time machine to go back in time to catch a tyrannosaurus rex. by then, 2055 elections were go held and a   new hitler was beaten by a far better candidate, keith.once he and other men have traveled,   he gets cold feet. he in   some way has known   this is not a good idea.he hears this sound , too strong for him to put up with . hopeless, he abandons the project making a mistake - another one as the first is to travel in time-that causes a butterfly effect when he comes back. in the end , changes reality for worse; the anti human anti christ deutscher,   is the president.

i think descriptive but i'm not 100% sure.. sorry.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran