Read the excerpt from act iv of hamlet.

claudius: he made confession of you, and gave you such a masterly report for art and exercise in your defence, and for your rapier most especially, that he cried out, 'twould be a sight indeed if one could match you; the scrimers of their nation, he swore, had neither motion, guard, nor eye, if you oppos'd them. sir, this report of his did hamlet so envenom with his envy that he could nothing do but wish and beg your sudden coming o'er, to play with him. now, out of this,— laertes: what out of this, my lord? claudius: laertes, was your father dear to you? or are you like the painting of a sorrow,

why does shakespeare include this plot event?

the author wants us to wonder if Laertes is faking his love for his father or it is more the aversion that he has for Hamlet.

answer: hjnh

explanation:

hhjjk

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?