"awright! we know say you no get plenty money. but we sef no get even anini. so derefore make you open dis window and give us one hundred pound and we go commot. orderwise we de come for inside now to show you guitar-boy like dis . ." a volley of automatic fire rang through the sky. maria and the children began to weep aloud again. hint: anini is a nigerian coin of very little value. which of the following is the best translation for the tief-man's dialogue? "okay! we understand that you claim you don't have a lot of money. but we don't even have an anini. if you open this window and give us a hundred pounds, we'll leave. otherwise, we'll go inside and show you our weapons." "you are lying about how much money you have. we know that you have an anini. open up your window and give us one hundred anini. if you don't, we're going to leave without showing you our weapons." "we believe you do not have a lot of money. i don't think you even have an anini. still, i want you to open this window and pretend to give me a hundred pounds. then we'll go." "if you don't have money, then maybe we got the wrong house. are you sure you don't even have an anini? how about you open this window and i check to see if you have a hundred pounds lying around. then, we'll go."

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.

100 points and ! plz answer ! think of an intense argument you had or witnessed sometime in your life. close your eyes and remember every detail. to turn this into a dramatic scene you will need to make changes that will make it make more sense to the audience. 500-600 words a description of the set up that explains what happened before the scene diction that matches the characters character objectives and obstacles are clearly conveyed a scene that escalates in dramatic intensity diction that is appropriate to the audience words that are not wasted in idle chit chat action (stage directions) that enhance the scene proper formatting for drama

What is the definition of cache and in what circumstances would it be appropriate to use it