In the greek myth, prometheus was a crafty human being who snuck up to mount olympus to steal fire from the gods. he brought it back down to the humans below and became a hero among men. when the gods discovered his treachery, they punished him to a life of pain. prometheus was chained to a boulder in the underworld where he must stay for the rest of eternity. during the day, birds peck out his eyes and liver. at night, his liver and eyes grow back, so the birds can punish him again what can you infer about the ancient greeks and how they regarded the gods from this passage? a. the ancient greeks believed the gods to be kind and generous. c. the ancient greeks didn’t believe in the gods. b. the ancient greeks believed the gods to be vindictive and cruel, fearing them. d. none of the above

"now they have beaten me, he thought. i am too old to club sharks to death. but i will try it as long as i have the oars and the short club and the tiller."? this passage shows santiago's belief that a. he will never fish again. b. he is too old to continue fishing. c. man can be defeated but not destroyed. d. the sharks got the best of him.

Me, will give you 20 the main character in realistic fiction are usually dynamic; they undergo change and grow according to their experiences. louise mallard from kate chopin's "the story of an hour" is an example of a dynamic character. which of the following excerpts from chopin's story highlight the transformation that louise undergoes?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.