Which excerpt from the call of the wild best shows how the third-person-omniscient point of view readers understand the experiences of more than one character? a “sometimes he thought of judge miller’s big house in the sun-kissed santa clara valley, and of the cement swimming-tank, and ysabel, the mexican hairless, and toots, the japanese pug. . ” b “about his body there was a peculiar springiness, or resiliency, almost catlike, and a quick alertness as of one who lived in perpetual fear of things seen and unseen.” c “with the last remnant of his strength he managed to stagger along behind till the train made another stop, when he floundered past the sleds to his own, where he stood alongside sol-leks. his driver lingered. . ” d “there was no power of recuperation left . . every muscle, every fibre, every cell, was tired, dead tired. and there was reason for it. in less than five months they had travelled twenty-five hundred miles. . ”

Which lines in this excerpt from act ii of william shakespeare’s romeo and juliet reveal that mercutio thinks romeo would be better off if he stopped thinking about love? mercutio: i will bite thee by the ear for that jest. romeo: nay, good goose, bite not. mercutio: thy wit is a very bitter sweeting it is a most sharp sauce. romeo: and is it not well served in to a sweet goose? mercutio: o here's a wit of cheveril, that stretches from an inch narrow to an ell broad! romeo: i stretch it out for that word 'broad; ' which added to the goose, proves thee far and wide a broad goose. mercutio: why, is not this better now than groaning for love? now art thou sociable, now art thou romeo; now art thou what thou art, by art as well as by nature: for this drivelling love is like a great natural, that runs lolling up and down to hide his bauble in a hole. benvolio: stop there, stop there. mercutio: thou desirest me to stop in my tale against the hair. benvolio: thou wouldst else have made thy tale large. mercutio: o, thou art deceived; i would have made it short: for i was come to the whole depth of my tale; and meant, indeed, to occupy the argument no longer.