Describe one movie, one song, and one commercial that uses figurative language

Figurative language refers to different literary devices to mean something other than the literal meaning of the word.  Some examples of these devices are: metaphors, onomatopoeia, simile, personification etc.  

A movie that uses figurative language is:  "Shreck I".  There is a dialogue between Donkey and Shreck.  Shreck is trying to explain why people hate ogres and he says: "Ogres are like onions". Donkey asks: "Is it because they stink? and Shreck answers: "No it's because they have many layers, they are hard to understand."  The figurative language used is a simile.  A simile compares two things using the words "as" or "like", meaning they are similar.  In this case, Shreck gives ogres the characteristics of an onion, in order to describe them without being literal.  

A song that uses figurative language is: "Gangsta's Paradise" by Coolio.  In this song he uses an allusion.  An allusion is an intentional bur indirect reference to a story, event, object, person or circumstance from another event, object or circumstance, person, story.  In the phrase "Been spending most their lives living in a gangsta's paradise", the song compares the biblical paradise to a "gangster's paradise".  

A commercial that uses figurative language is:  The Rice Krispies Commercial.  The characters are called: Snap, Crackle and Pop.  The figurative language used in this commercial is an onomatopoeia meaning words that imitate sounds.  In this case, the sounds imitated are sounds suggested by the Rice Krispies.

biographical remarks present the shifting perception and re-interpretation of figures projected by the authors, or by the society represented by the authors. the portrayals in biographical accounts thus reflect the turning view-of-value in course of history. this paper particularly explores the ways in which “heretical” figures are represented in their biographical accounts, focusing on arabic zindīq poets who flourished in the 2nd century a.h. and are known for their extreme or heretic behavior. it will be discussed that the marks of their heretical deeds are presented in different ways, and the actuality of their activity, such as the association with the early theological thinkers (or mutakallimūn in arabic), is occasionally replaced by more narrativized and unrealistic anecdotes in later sources, the tales being reproduced to underscore the value of poets such as humor or quick-wittedness. the anecdotes also can highlight the qualities of their opponents who appear as their refuters. the chronological tracing of their biographical information from multiple sources reveals the fluctuating value of discourses of “heresy,” mirroring the turning religious reality and the imagined quality of the figures lived in the early period. the paper eventually aims to historically contextualize the functions of “speaking-about-heretics” as a subject of narratives, which works as a tool for writers to express manifold contemporar

well suger is needed so they must have needed it