Read the excerpt from the play the little foxes. horace. (smiles at her, nods) and i could guess that he wants to keep control in the family. regina (to ben, triumphantly) exactly. (to horace) so i did a little bargaining for you and convinced my brothers they weren't the only hubbards who had a business sense. horace. did you have to convince them of that? how little people know about each other! (laughs) but you'll know better about regina next time, eh, ben? (ben, regina, horace laugh together. oscar's face is angry) now let's see. we're getting a bigger share. (looking at oscar) who's getting less? the underlined words and phrases best relate to which issue that is commonly found in feminist literature? politics science economics domesticity

Javier is writing a literary analysis of the secret garden. read this introduction to his essay. frances burnett’s “the secret garden” explores the challenges of a sickly, self-centered little girl named mary lennox. after mary’s parents die of cholera, she moves from india to england to live at her uncle’s estate in yorkshire. while living at the old estate, mary discovers an abandoned garden that belonged to her deceased aunt. tending to the neglected garden brings mary joy, and her health improves. through mary’s transformation, burnett presents nature as a symbol of rebirth and healing. which piece of textual evidence should javier use to support the claim made in the introduction? a. “‘it’s in the garden no one can go into,’ she said to herself. ‘it’s the garden without a door. he lives in there. how i wish i could see what it is like! ’” b. “in india she had always felt hot and too languid to care much about anything. the fact was that the fresh wind from the moor had begun to blow the cobwebs out of her young brain and to waken her up a little.” c. “mary felt lonelier than ever when she knew she was no longer in the house. she went out into the garden as quickly as possible, and the first thing she did was to run round and round the fountain flower garden ten times.” d. “‘it isn’t a quite dead garden,’ she cried out softly to herself. ‘even if the roses are dead, there are other things alive.’”