Match each excerpt to the type of narration technique it uses. tiles: first person second person third-person limited third-person omniscient pairs: if you could choose an hour of wakefulness out of the whole night, it would be this. since your sober bedtime, at eleven, you have had rest enough to take off the pressure of yesterday's fatigue, while before you, till the sun comes from "far cathay" to brighten your window, there is almost the space of a summer night—one hour to be spent in thought with the mind's eye half shut, and two in pleasant dreams, and two in that strangest of enjoyments the forgetfulness alike of joy and woe. (from “the haunted mind” by william faulkner) every sabbath morning in the summer-time i thrust back the curtain to watch the sunrise stealing down a steeple which stands opposite my chamber window. first the weathercock begins to flash; then a fainter lustre gives the spire an airy aspect; next it encroaches on the tower and causes the index of the dial to glisten like gold as it points to the gilded figure of the hour. (from “sunday at home” by nathaniel hawthorne) he no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. he only dreamed of places now and of the lions on the beach. (from the old man and the sea by ernest hemingway) there were a king with a large jaw and a queen with a plain face, on the throne of england; there were a king with a large jaw and a queen with a fair face, on the throne of france. in both countries it was clearer than crystal to the lords of the state preserves of loaves and fishes, that things in general were settled for ever. (from a tale of two cities by charles dickens)