3. What are the advantages and disadvantages of verbal communication versus written communication (e. g. memos) in the process of creating an animation?

4. Discuss why the process of blocking a model begins with a box shape rather than, say, a
sphere or cylinder?

5. Why might cartoonish characters "work or be more visually appealing if colors were
painted directly on a model rather than applying a full texture later in a production
process?