Event from the Rising Action Develops the Plot Character’s Name Character’s Response to the Event What the Response Reveals About the Character Choose two events from the rising action of your novel or short story and record them below. In complete sentences, explain how the event develops the plot. Identify a character who was a part of the event or affected by the event. Write his or her name below. Record the character’s response to the event. This box should be completed with a direct quotation from your reading. Make sure you use quotation marks around any material that comes from your novel or short story. In complete sentences, explain what you can infer or what you learn about the character based on his or her response. EXAMPLE: Event: Outlaws tried to rob the stagecoach. Lone Stranger and Pronto saved the people and scared the outlaws. EXAMPLE: This event prevents Lone Stranger and Pronto from taking their vacation and getting home to see their loved ones. EXAMPLE: Lone Stranger EXAMPLE: “We are headed to Rock Creek on our way to Rolling Ridge. We’ll ride along with you, just in case there is any more trouble.” EXAMPLE: This example shows that Lone Stranger is brave and helpful to others. Event 1 Event 2i will give brainless if you help

this is a experment where you actully have to do the work like go take some photos in something your interstid in

.                                       sorry i just need points

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.