Love songs you wrote but no files

Maybe we could've been friends

If I met you in another life

Maybe then we could pretend

There's no gravity in the words we write

Maybe you didn't mean it

Maybe blonde was the only rhyme

The only rhyme

Want my heart to be breaking, breaking, no

I'm happy and you hate it, hate it, oh

And I'm not asking you to let it go

But you been telling your side

So I'll be telling mine, oh

You can try

To get under my, under my, under my skin

While he's on mine

Yeah, all on my, all on my, all on my skin

I wish you knew that even you

Can't get under my skin

If I don't let you in

You're telling it how you see it

Like truth is whatever you decide

Some people will believe it

And some will read in between the lines

You're putting me in the spotlight

But I've been under it all my life, said, all my life

Want my heart to be breaking, breaking, no

I'm happy and you hate it, hate it, oh

And I'm not asking you to let it go

But you been telling your side

So I'll be telling mine (mine)

You can try

To get under my, under my, under my skin

While he's on mine

Yeah, all on my, all on my, all on my skin

I wish you knew that even you

Can't get under my skin

If I don't let you in-oh

You can try

To get under my, under my, under my skin

While he's on mine

Yeah, all on my, all on my, all on my skin

I wish you knew that even you

Can't get under my skin

If I don't let you in-oh

I just hope that one day

We both can laugh about it

When it's not in our face

Won't have to dance around it

Don't drive yourself insane

It won't always be this way

You can try

To get under my, under my, under my skin

While he's on mine

Yeah, all on my, all on my, all on my skin

I wish you knew that even you

Can't get under my skin

If I don't let you in

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.