What people scenes and events in the excerpts section go on or dic are shown in the painting Underground Railroad

The correct answer to this open question is the following.

Unfortunately, you did not attach the excerpt or the painting.

However, trying to help you we can comment on the following.

If you are referring to painted created by artist Charles T. Webber, painted in 1893 titled "The Underground Railroad," then we can say that the people, scenes, and events reflect the anguish of the moment, trying to help the black slaves to the south crossing to the northern states looking for freedom.

Charles T. Webber, who was a supporter of segregation, decided to paint "The Underground Railroad" to exhibit it during the World's Columbian Exposition organized by the city of Chicago, Illinois. His main purpose was to paid homage to the people who helped black Americans to be free under this adventurous and risky activity.

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.