3. Wiley’s answer to the question of what should be done regarding the existing war statues is to: *

Destroy them- respond to negative with negative
Remake them- respond to negative by rewriting history
Create more statues- respond to negative with positive

it's all focused on the way you angle and put all of these this in pespective. say you wanted you artwork to be famous, you would want to align and put all of these into grasp. the imagery give off a good descriptive matter. proportion is aligned with the color and mood. balance is how you place everything and if there is too much or too little of. design is the main thing if you want your art to be amazing

virtual smiles! : )

~mqddie

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.