Do you love the rain, does it make you dance
when you're drunk with your friends at a party
what's your favorite song, does it make you smile
do you think of me
when you close your eyes, tell me, what are you dreamin'
everything, i wanna know it all
i'd spend ten thousand hours and ten thousand more
oh, if that's what it takes to learn that sweet heart of yours
and i might never get there, but i'm gonna try
if it's ten thousand hours or the rest of my life
i'm gonna love you
do you miss the road that you grew up on
did you get your middle name from your grandma
when you think about your forever now, do you think of me
when you close your eyes, tell me, what are you dreamin'
everything, i wanna know it all
i'd spend ten thousand hours and ten thousand more
oh, if that's what it takes to learn that sweet heart of yours
and i might never get there, but i'm gonna try
if it's ten thousand hours or the rest of my life
i'm gonna love you
i'm gonna love you
ooh, want the good and the bad and everything in between
ooh, gotta cure my curiosity
ooh, yeah
i'd spend ten thousand hours and ten thousand more
oh, if that's what it takes to learn that
sweet heart of yours
and i might never get there, but i'm gonna try
if it's ten thousand hours or the rest of my life
i'm gonna love you
i'm gonna love you
and i'm gonna love you
i'm gonna love you

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.

Idon’t know can you give me background information