Why wasn’t the technique of perspective used during the middle ages

Match these items. match the items in the left column to the items in the right column. 1. aesthetics in art, a technique for defining shape, also used to create a sense of depth 2. composition a perceived line that describes three-dimensional form 3. contour line a method of presenting an illusion of the three-dimensional world on a two-dimensional surface 4. line (pronounced "uhvrr") — a work of art; the sum of the lifework of an artist, writer, or composer 5. oeuvre the way an artist organizes forms (lines, shapes, etc.) in an artwork, either by placing shapes on a flat surface or by arranging forms in space 6. patron the relationship of one part of a person, building, or object to another; for example the size of a statue's head in relationship to the rest of the body 7. personification the study of beauty or good taste; anything related to the study of beauty or good taste 8. perspective giving human characteristics to something that is not human 9. proportion generally a wealthy person who pays an artist to create a work of art; throughout much of history artists could not have survived without "patronage" 10. symbol an object or word or gesture that represents something else

Brought a new sophisticated and european influence to jazz piano and is today considered one of the most influential pianists of modern jazz. some of his more famous recordings are, sunday at the village vanguad and waltz for debby. he drew influences from the french impressionist composers claude debussy and maurice ravel, as well as bebop pianist bud powell. his playing can be described as lyrical, sensitive, and introspective yet with an underlining commitment to swing.

Look at this madonna by parmigianino. ·describe its unique features. ·discuss the effect parmigianino is able to produce in this painting